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Untitled (The way in is the way out)
© » KADIST

Alicia McCarthy

Drawing & Print (Drawing & Print)

A painting reminiscent of a certain “naive primitivism,” Untitled (the way in is the way out) is representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.

Untitled (Colors) and Untitled (Ghost)
© » KADIST

Alicia McCarthy

Drawing & Print (Drawing & Print)

A painting reminiscent of a certain “naive primitivism,” Untitled (Colors) and Untitled (Ghost) are representative of McCarthy’s work. Upon first encounter, her abstract colorful compositions resemble somewhat formal nonrepresentational landscapes. However, a closer inspection reveals the presence of a lowbrow style that draws inspiration both from outsider and folk art traditions.

Untitled
© » KADIST

Barry McGee

Installation (Installation)

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993.

Untitled (Bird and Eyes)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

Untitled (Four-legged figure with three arms)
© » KADIST

Clare Rojas

Painting (Painting)

Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.

I am Human, Abstract Foil, No Humans IV
© » KADIST

Chris Johanson

Painting (Painting)

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos.

Apartment on Cardboard
© » KADIST

Chris Johanson

Painting (Painting)

Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building. Viewers unwittingly become voyeurs, peering through the rectangles that stand for windows and observing the residents therein, who ponder questions both mundane and existential: “Where is Ron now?” and “What have I become?” The queries and characters are treated democratically—not judged, praised, or subjected to hierarchy. While their thoughts are specific, the painting captures a universal urban activity: looking across to the building next door and wondering about its residents, all the while knowing that they have probably looked over and wondered about us, as well.

Untitled (Painting of a Man Leaving in Boat)
© » KADIST

Chris Johanson

Painting (Painting)

Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky. An orange-haired figure, oar positioned in mid-stroke, looks ahead—whether toward an edge or an infinite expanse, it is impossible to tell. Echoing a trope that recurs in Greek epic poetry, transcendental painting, and current-day reality television, the character is alone with nature.

Movement
© » KADIST

Li Ming

Film & Video (Film & Video)

In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.

Falling Wall
© » KADIST

Public Movement

Falling Wall is choreography consisting of a wall, three performers wearing uniforms, and a short ritual. The performers stand aligned in front of the wall, which suddenly falls, menacingly, in the direction of the viewers. The synchronicity of collapse echoes the possibility of transgressing borders such as state frontiers, or even the museum wall.

Movement
© » KADIST

Amapola Prada

Film & Video (Film & Video)

In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons. Looking over the static bodies, the standing figures place their spoons in-between the women’s legs and begin moving them in circular, rowing-like motion, like the oars of a boat. The psycho-sexually charged nature of Movement is illustrative of Prada’s dream-like works, which often relate to the subconscious and other internal processes with which we express desires, tensions, and latent emotions.

Soft Rock Valley
© » KADIST

Zon Ito

Painting (Painting)

This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.

!Women Art Revolution
© » KADIST

Lynn Hershman Leeson

Film & Video (Film & Video)

Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.

Walk the Walk (Sam Durant)
© » KADIST

Native Art Department International

Installation (Installation)

The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.

Relevo
© » KADIST

Luciano Figueiredo

Painting (Painting)

Figueiredo’s succinct forms are rendered in bright hues of yellow, red, green, and blue, with white and black defining positive and negative spaces within the overall geometry. His Revelos are part painting, part relief, and part sculpture—they separate from the wall, creating spatial complexities within their bounds, and imply movement through the simplicity of their shapes. Though based on the shape of a simple square, each Revelo animates beyond that limitation, the folded and layered canvas sheets, the cuts and slices of contrasting paints creating movement from stasis.

Untitled (San Francisco)
© » KADIST

Edward Kienholz

Installation (Installation)

Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.

Les formes du repos #3
© » KADIST

Raphaël Zarka

Photography (Photography)

This photograph seems to be awaiting meaning, it more or less evokes known elements without really identifying with them completely: a motorway interchange, a bridge, an electric pylon… In fact this is the end of the tracks of the Aérotrain, a wheelless monorail invented by Jean Bertin in the 1970s, which acts like ‘a fossil of movement on landscape scale’, as explained by the artist. This fragmentary place is meant to activate physical movement. It also activates the spectator’s imagination.

Don't Shoot, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

First Tear Gas, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

Joshua, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

Kerosene Triptych
© » KADIST

Natasha Wheat

Drawing & Print (Drawing & Print)

Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive. The original photographs were taken by anonymous photographers, not as art but as documents of the building of the Panama Canal. The laborers in the images are holding cans of kerosene and spraying it into the foliage.

Divided, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

Dispersal, Occupy HK 2014 series
© » KADIST

Xyza Cruz Bacani

Photography (Photography)

Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong. At the time, the Umbrella Movement was considered the largest social unrest defending the democratic aspirations of Hong Kongers, who flooded the streets to demand universal suffrage. The protestors even managed to block Hong Kong’s main highway for months, freezing Asia’s financial centre.

Turtle Walk
© » KADIST

Sora Kim

Film & Video (Film & Video)

Turtle Walk is a video installation that documents two performers carrying large white disks on their backs as they walk through the urban environment of Seoul. The simple disks disrupt normal social behaviors in urban space, acting like parabolic antennae that cause the performers to interact and communicate unusually with their surroundings. The performance causes viewers to reflect on their expectations for normal behaviors within the social space of the city.

Pest Control 1110, 709, 428 (or, a Myth for Another)
© » KADIST

Tan Zi Hao

Installation (Installation)

Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll. Tan Zi Hao’s work is a commentary on the Bersih protest movement; “Bersih” is the Malay word for “clean” and the movement was an important precursor to the changes in Malaysia following the 2018 elections when the Barisan Nasional coalition lost power for the first time since the country’s independence in 1957. Najib Razak, the prime minister ousted in those elections and the focus of some of the biggest demonstrations during the Bersih movement was sent to prison in 2020 after being found guilty of massive theft of public funds.

Fireflies
© » KADIST

Fiamma Montezemolo

Film & Video (Film & Video)

Montemozolo writes of the work: “ Fireflies is the result of a sudden event—and its transformation/translation into an art work—that erupts within a life, altering its flow, suspending it, creating a momentary intensity and deviation of the flow, channeling it somewhere unexpected. This unforeseen deviation is dissected in terms of affects in the time frame of 5 minutes. The affects that emerge in the piece are characterized by a sense of movement between pain and hope, and a work of association between cancer and expectancy.

n°5 The International Sail
© » KADIST

Enrique Ramirez

Installation (Installation)

Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail. These works epitomize the idea of perpetual movement and migration while carrying a deep personal meaning in the creative process, as the artist’s father himself, still living in Chile, mends and sends the sails to his son, living in Europe. The reversed position of the sail recalls both the shape of South America itself and the Eurocentric view that in the Southern Hemisphere, everything is “upside-down.” The stitches themselves create an illusion of an alternative political geography, and the framed-cuts impose a cartographic grid.

Fixed Things and Flying Things the body in parts, here and there the world in parts Atlantic Lace, Balogun Market Sound man hears the wind We've passed this way before (Duck, don't stumble
© » KADIST

Wura-Natasha Ogunji

Painting (Painting)

Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work. Stating, “migration problems can and should find their solution within the affirmation of ‘freedom of movement’ as the new inalienable right of humans. No human has chosen or chooses the place where they were born.

Yea High (sweetpreparator)
© » KADIST

Shahryar Nashat

Sculpture (Sculpture)

Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter. In the work, the artist uses perspiration as a medium on the surface, combing the man-made and the organic. The pink of the surface reflects the artist’s interest in reframing the way we understand the permeability of human skin.

27 Punk Photos: 11. Dim Wanker: F Word, May, 1978
© » KADIST

Bruce Conner

Photography (Photography)

In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue. 27 Punk Photos: 11. Dim Wanker: F Word, May, 1978 (1978) is representative of a series of photographs by Conner, whose subject became a fascination for the artist.

Xyza Cruz Bacani

Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...

Chris Johanson

Clare Rojas

Alicia McCarthy

Shahryar Nashat

The work of Shahryar Nashat (b...

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

Yang Xinguang

Fiamma Montezemolo

Born in Rome, Fiamma Montezemolo is both a cultural anthropologist (PhD, University of Naples) and an artist (MFA, San Francisco Art Institute)...

Enrique Ramirez

Li Ming

Zon Ito

Zon Ito was born in 1971 in Osaka...

Edward Kienholz

Kota Ezawa

Native Art Department International

Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...

Luciano Figueiredo

Brazilian artist Luciano Figueiredo works with color, form, volume, and light in his exquisite wall-bound compositions...

Sora Kim

Amapola Prada

As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...

Lynn Hershman Leeson

Wura-Natasha Ogunji

Wura-Natasha Ogunji is a visual artist and performer...

Fran Herndon

Fran Herndon was born in Oklahoma in 1929, then moved to San Francisco in 1957, where she came into contact with Jack Spicer, who encouraged her painting practice by motivating her to study at the California School of Fine Arts (now the San Francisco Art Institute)...

Lin Yilin

Aki Sasamoto

Aki Sasamoto is an artist whose mediums include performance, sculpture, dance, and whatever other form it takes to get her ideas across...

Bruce Conner

Public Movement

The performative research group Public Movement explores the creation of national, social, and political identities through public choreographies...

Natasha Wheat

Tan Zi Hao

Tan Zi Hao is a multi-disciplinary artist who works predominantly with installation and performance art...

El Hadji Sy

Born in Senegal in 1954, El Hadji Sy (El Sy) studied fine arts at the Ecole Nationale des Beaux-Arts in Dakar...

Helina Metaferia

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...

Haegue Yang

© » EYE OF PHOTOGRAPHY

this month (04/04/2024)

© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...

© » ART & OBJECT

this quarter (02/12/2024)

The Art of Snow and Ice: Depictions Throughout Art History | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ART & OBJECT

this quarter (02/12/2024)

Art & Object Marketplace: A New Way to Buy Art Online | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ART & OBJECT

this quarter (02/12/2024)

The Top Art Exhibitions of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ART & OBJECT

this quarter (02/12/2024)

Art & Object's 13 Favorite Stories of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » GALERIE MAGAZINE

this quarter (02/07/2024)

Discover Mexico City's Thriving Art Scene - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe ZONAMACO...

© » HYPERALLERGIC

this quarter (02/06/2024)

8 Art Books to Read This February Skip to content Image from Søren Solkær's Black Sun series in Starling (2023) (image courtesy Edition Circle) This month, we’re turning to books that spark questions and crack open new possibilities, with digital culture on our minds as always, and photography looming large as a tool for both oppression and self-determination...

© » CONTEMPORARYARTDAILY

about 3 months ago (02/03/2024)

Ján Mančuška at fjk3 – Contemporary Art Space...

© » ARTSY

about 3 months ago (02/01/2024)

India’s Art Market Is Thriving—Here’s Why | Artsy Skip to Main Content Advertisement Art Market India’s Art Market Is Thriving—Here’s Why Reena Devi Feb 1, 2024 3:18PM Installation view of India Art Fair, 2023...

© » BROOKLYN STREET ART

about 3 months ago (01/18/2024)

“UNMUTE GAZA”: New Art from Escif and Zacharevic | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Today, we unveil new works from the Unmute Campaign, a dynamic and impactful movement supporting photojournalists in Gaza...

© » ARTNEWS

about 4 months ago (12/18/2023)

Giovanni Anselmo, Giant of Italy’s Arte Povera Movement, Dies at 89 – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All December 18, 2023 3:04pm Giovanni Anselmo...

© » AESTHETICA

about 4 months ago (12/17/2023)

Aesthetica Magazine - Aesthetica Art Prize: Sculpting the Future Aesthetica Art Prize: Sculpting the Future Sculpture is constantly evolving, with its definition widening as we move into an increasingly digital world...

© » AESTHETICA

about 4 months ago (12/16/2023)

Aesthetica Magazine - Aesthetica Art Prize: Playing with Light Aesthetica Art Prize: Playing with Light In 1960s Los Angeles, members of the Light and Space movement – James Turrell, Mary Corse, Larry Bell, Helen Pashgian – were experimenting with how geometric space and radiant light could impact human perception...

© » ARTNEWS

about 4 months ago (12/15/2023)

The Defining Art Events of 2023 – ARTnews.com Skip to main content By The Editors of ARTnews Plus Icon The Editors of ARTnews View All December 15, 2023 2:20pm Photo Illustration: Kat Brown/ARTnews If the art world in 2023 could be defined by one word, it would probably be scandal ...

© » HYPERALLERGIC

about 4 months ago (12/13/2023)

Hyperallergic’s Art Book Gift Guide Skip to content We’re not sure what we like more — giving or getting books — but we do know they make perfect presents...

© » ROYAL ACADEMY

about 4 months ago (12/12/2023)

A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...

© » ART & OBJECT

about 4 months ago (12/12/2023)

10 of the Scariest Artworks in History | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » AESTHETICA

about 4 months ago (12/09/2023)

Aesthetica Magazine - Aesthetica Art Prize: Picturing the Landscape Aesthetica Art Prize: Picturing the Landscape Humans have been inspired by nature for millenia...

© » BOOOOOOOM

about 4 months ago (12/08/2023)

Where to Submit Your Work: A Curated List of Websites that Feature Art + Illustration – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit So you’ve just completed your latest creative project or maybe you’ve been building up your portfolio for a while and finally feel ready to share, what next? It’s important to be confident and put yourself out there, but let’s first talk about what all this process entails in order to make the most of your time and energy....

© » ARTSY

about 4 months ago (12/08/2023)

Generative art pioneer Vera Molnár has died aged 99...

© » SOMETHING CURATED

about 5 months ago (11/27/2023)

Interview: Roberto Gil de Montes on Huichol Art and the Chicano Movement - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 27 Nov 2023 - Share Born in Guadalajara, Mexico, Roberto Gil de Montes immigrated to the United States with his family at the age of 13, settling in East Los Angeles shortly before the 1968 Chicano protests for educational equality...

© » FLASH ART

about 5 months ago (11/13/2023)

Issy Wood "I Like to Watch" Ilmin Museum of Art / Seoul | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » ARTLYST

about 6 months ago (10/19/2023)

The echoes of colonialism reverberate in UK museums shaping not just the artefacts on display but the very essence of these institutions...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

A couple weeks ago, I met director Chun In-keon of the Kansong Art Museum...

© » ARTS EQUATOR

about 22 months ago (07/13/2022)

Parastoo Theatre: Art, Refuge, Action | ArtsEquator Skip to content The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas, is creating a practice that enriches the cultural landscape for all Malaysians...

© » ARTS EQUATOR

about 30 months ago (11/11/2021)

Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter....

© » STEVE LAMBERT

about 30 months ago (11/07/2021)

Art and Fear of Propaganda - Steve Lambert Art and Fear of Propaganda - Steve Lambert Steve Lambert has a book coming out Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA November 2021 Work Center for Artistic Activism , NeON Festival , Scotland , writing Yes, you should worry about art becoming propaganda – but probably not for the reasons you’d imagine...

© » ARTNOME

about 47 months ago (06/16/2020)

FitArt - Fitness Art Club — Artnome Menu Blog Exploring art through data using the Artnome database...

© » ARTS EQUATOR

about 70 months ago (07/30/2018)

Art Show Delves Into the Surreal (via The Irrawady) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 30, 2018 YANGON — For those tired of landscapes and portraits, an ongoing exhibition in Yangon is showcasing something a little more uncanny...

© » ARTS EQUATOR

about 70 months ago (07/24/2018)

An Inconvenient Practice (via Plural Art Magazine) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 24, 2018 A recent video released by British diver Rich Horner, showed him swimming through the waters of Bali...

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this quarter (02/12/2024)

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about 14 months ago (02/11/2023)

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about 102 months ago (12/02/2015)

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about 127 months ago (11/15/2013)

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about 165 months ago (10/11/2010)